Why Is That Art? Aesthetics and Criticism of Contemporary Art

Cover

Why Is That Fine art?

Aesthetics and Criticism of Contemporary Fine art

Third Edition

Terry Barrett

Tabular array of Contents

Contents
ILLUSTRATIONS
PREFACE
INTRODUCTION

ane. Artworlds and Definitions: How That Became Art
Art
Honorific Definitions of "Art"
The Open up Definition
Classificatory Definitions
Aesthetics
Art Criticism
Clarification, Interpretation, Judgment, and Theory
Critics on Criticizing
Criticizing Criticism
Criticism and Aesthetics
Skepticism about Fine art, Aesthetics, and Criticism
Aesthetics, Art Criticism, and Visual Culture
Aestheticians, Artists, Critics, and Readers
Questions for Further Reflection
Notes

ii. Realism: Fine art Is Realistic, Truthful, and Cute
A Brief Overview of Realism
Greek Theories of Realism in Art
Plato
Aristotle
Issues Related to Realism
Kitsch
Pornography
Obscenity and Censorship
Photography, Reality, and Truth
What Does It Mean to Say That a Piece of work Is "Realistic"?
Works of Art by Jeff Koons
Critical Commentary on Koons's Piece of work
Koons's Thoughts about His Own Work
Paintings by Alexis Rockman
Critical Commentary on Rockman's Paintings
Rockman's Thoughts about His Own Piece of work
Photographs by Andres Serrano
Critical Commentary on Serrano's Photographs
Serrano'south Thoughts about His Own Work
Decision
Realism and Artists
Realism and Artworks
Realism and Audiences
Questions for Further Reflection
Notes

3. Expressionism and Cognitivism: Art Shows Feelings, Communicates Thoughts, and Provides Knowledge
Expressionism and Cognitivism
Expressionist and Cognitivist Theories of Art
Leo Tolstoy
Benedetto Croce
R. G. Collingwood
Suzanne Langer
John Dewey
Nelson Goodman
Arthur Danto
Metaphor
Psychoanalytic Theory
Marxist Aesthetics
Joan Mitchell, Painter
Critical Commentary on Mitchell'south Paintings
Mitchell's Thoughts near Her Own Work
Mitchell and Expressionism
Louise Conservative, Sculptor
Disquisitional Commentary on Bourgeois's Sculptures
Bourgeois's Thoughts about Her Own Piece of work
Bourgeois and Expressionism
Kiki Smith, Printmaker and Sculptor
Critical Commentary on Smith'due south Work
Smith'south Thoughts most Her Own Work
Smith and Cognitivism
The Trouble of Creative Intent
Limitations of Expressionism and Cognitivism
Strengths of Expressionism and Cognitivism
Conclusion
Expressionism, Cognitivism, and Artists
Expressionism, Cognitivism, and Artworks
Expressionism, Cognitivism, and Audiences
Questions for Further Reflection
Notes

4. Formalism: Art Is Significant Form
Precursors to Ceremonial
Is Beauty Objective or Subjective?
St. Thomas Aquinas
David Hume
Hume on Art Criticism
Early on Formalism: Artful Mental attitude and Aesthetic Feel
Disinterestedness
Decontextualization
Aestheticization
The Sublime
Immanuel Kant
Thou. W. F. Hegel
Twentieth-Century Formalism
Early Modern Abstractionists: Kandinsky, Mondrian, and Malevich
Clive Bell
Clement Greenberg
Structuralism
Ferdinand de Saussure
Roland Barthes
Structuralism and Formalism
Agnes Martin: Paintings and Drawings
Disquisitional Commentary on Martin'due south Work
Martin's Thoughts nearly Her Own Work
Joel Shapiro: Sculptures
Disquisitional Commentary on Shapiro'southward Work
Shapiro'southward Thoughts virtually His Own Work
Andy Goldsworthy: Environmental Sculptures
Disquisitional Commentary on Goldsworthy's Work
Goldsworthy's Thoughts about His Own Work
Martin, Shapiro, Goldsworthy, and Formalism
Strengths and Weaknesses of Formalism
Conclusion
Formalism and Artists
Ceremonial and Artworks
Formalism and Audiences
Questions for Further Reflection
Notes

5. Postmodern Pluralism: Art Destabilizes the Good, the True, the Cute, and the Self
Precursors to Poststructuralism and Postmodernism
Friedrich Nietzsche
Critical Theory, the Frankfurt School, and Neo-Marxism
Poststructuralism
Jacques Lacan
Michel Foucault
Julia Kristeva
Jacques Derrida
Gilles Deleuze and Felix Guattari
Richard Rorty
Slavoj Žižek
Feminism
Postmodernism
Jean-François Lyotard
Jean Baudrillard
Fredric Jameson
Postcolonialism
Cindy Sherman: Photographs
Critical Commentary on Sherman'southward Photographs
Sherman's Thoughts nearly Her Own Piece of work
Cindy Sherman and Postmodern Pluralism
Lorna Simpson: Photographs with Words
Disquisitional Commentary on Simpson's Work
Simpson's Thoughts about Her Own Piece of work
Lorna Simpson and Postmodern Pluralism
Paul McCarthy: Performances, Videos, and Sculptures
Critical Commentary on McCarthy's Piece of work
McCarthy's Thoughts nearly His Own Piece of work
McCarthy and Postmodern Pluralism
Strengths and Weaknesses of Postmodern Pluralism
Approaches to Postmodern Artmaking
Escaping the Confines of Museums
Collapsing Boundaries Between "Loftier" and "Low"
Rejecting "Originality"
Jouissance
Working Collaboratively
Appropriating
Simulating
Hybridizing
Mixing Media
Layering
Mixing Codes
Recontextualizing
Confronting the Gaze
Facing the Apple-polishing
Constructing Identities
Using Narratives
Creating Metaphors
Using Irony, Parody, and Dissonance
Decision
Postmodern Pluralism and Artists
Postmodern Pluralism and Artworks
Postmodern Pluralism and Audiences
Questions for Further Reflection
Notes

6. Conclusion
Why Is Hanging Garden Art?
Fine art past Definitions
Hanging Garden and Realism
Hanging Garden and Cognitive Expressionism
Hanging Garden and Formalism Considerations
Hanging Garden and Postmodern Pluralism
Why Is Jellyfish Eyes Art?
Jellyfish Eyes and Realism
Jellyfish Eyes and Cognitive Expressionism
Jellyfish Eyes and Formalism
Jellyfish Eyes and Postmodern Pluralism
Why Is Do We Dream Under the Same Heaven Art?
Practise We Dream Nether the Same Sky and Realism
Do We Dream Under the Same Sky and Cerebral Expressionism
Do We Dream Under the Same Heaven and Formalism
Exercise We Dream Under the Aforementioned Heaven and Postmodern Pluralism
Purposes of Art
Selecting Criteria
A Single Criterion or Multiple Criteria for All Works of Fine art
Questions for Further Reflection
Notes

GLOSSARY
BIBLIOGRAPHY
INDEX

Cover

Why Is That Art?

Aesthetics and Criticism of Gimmicky Art

Third Edition

Terry Barrett

Reviews and Awards

"I have the highest praise for Barrett'south clear and curtailed text. The information is approachable and interesting to students who have little introduction to contemporary art theory, history, or criticism. The questions offered at the ends of the chapters offer thoughtful perspectives for farther discussion, inquiry, and reference." --Franc Nunoo-Quarcoo, University of Michigan

"I like Why Is That Fine art? because it explains how to wait, understand, and judge gimmicky art through engaging discussions of selected stimulating art works. It highlights the reasons for accepting some works of art by merging a variety of established theories with convincing points of view." --Rihab Kassatly Bagnole, Savannah College of Art & Design

"Barrett'south text serves as an ideal introduction to aesthetics and fine art criticism. The text really helps students in raising sensation of the complexity of the contemporary fine art scene and underlying ideas and theories that shape it." --Zdenko Krtic, Auburn University

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